How Trailblazer Joi McMillon, ACE, Made History

How Trailblazer Joi McMillon, ACE, Made History as First Black Woman Nominated for Best Film Editing at the Oscars

Pioneering Editing: Joi McMillon Breaks Barriers at the Oscars

Joi McMillon, ACE, made history as the first Black woman to be nominated for the prestigious Academy Award for Best Film Editing.

Her remarkable achievement, recognized for her work on the acclaimed drama “Moonlight,” has shattered glass ceilings and paved the way for greater diversity and representation in the world of cinematic editing.

From Reality TV to the Oscar Stage

McMillon’s path to the Oscars was paved with determination and perseverance.

After honing her skills as an assistant editor on various reality television shows, she landed her first major feature film editing gig in 2007 as an apprentice to Terilyn A. Shropshire on Kasi Lemmons’s “Talk to Me.”

This experience proved to be a pivotal stepping stone, allowing McMillon to showcase her talent and earn the opportunity to co-edit Barry Jenkins’s critically acclaimed “Moonlight” alongside Nat Sanders.

A Momentous Oscar Nomination

The nomination for McMillon and Sanders’s editing work on “Moonlight” was a watershed moment, not only for the film’s critical success but also for the representation of women of color in the industry.

As the first Black woman to be recognized in the Best Film Editing category, McMillon’s achievement resonated with aspiring editors and film enthusiasts alike, shattering long-standing barriers and inspiring a new generation to pursue their dreams in the field.

Collaborative Excellence

McMillon’s collaborative approach to editing, coupled with her keen eye for visual storytelling, was instrumental in shaping the emotional narrative of “Moonlight.”

Working alongside director Barry Jenkins, she and Sanders seamlessly wove together the film’s three distinct chapters, crafting a captivating and nuanced portrayal of the protagonist’s journey.

The recognition bestowed upon McMillon did not stop at the Oscars. In 2017, she and Sanders were awarded the Best Film Editing prize at the Spirit Awards, further cementing their status as trailblazers in the industry.

Their subsequent collaboration on Jenkins’s follow-up film, “If Beale Street Could Talk,” solidified McMillon’s reputation as a master of her craft.

Inspiring the Next Generation

Joi McMillon’s historic Oscar nomination has not only celebrated her own exceptional talent but also serves as a powerful symbol of progress and representation in the film industry.

Her achievement inspires aspiring editors, particularly women of color, to pursue their passions and shatter the glass ceilings that have long hindered their advancement.